Project Abstract
How do we advocate for the unmeasurable? At the entrance of the Cromarty Firth, where folklore greets industrial futures, a changing coastline threatens the landscape’s capacity to do what it has since time immemorial: tell story.
Etched Entanglings speculates a near-future where a coalition of carvers in Cromarty have successfully advocated for story to be valued as a landscape asset through the creation of a new stewardship order. Within the firth, where multi-species carving has long been a method of how stories are told, story becomes inseparable from stone.
Merging Michael Marker's “animate landscapes” methodology - which views the stories of place as real - with Karen Barad's “agential realism” – pushing that beings become through their entangling - the landscape’s capacity to story increases through new possibilities of connections at a set of anchor points. In turn, the coastline evolves as it entangles through stone, sediment and story.