My practice is a meditation on emotional reactions, honing in on how this transpires throughout and within female experiences. Spanning prevalent personal, social and political issues for women and with a current focus on states of vexation, I explore emotional reactions through angry female iconography. I have chosen this concept in response to observing repressed female anger in everyday instances. Traditionally an unwelcome trait for women to have, anger has been continually muted with dire consequences for women. However, as Jennifer Cox notes in her book 'Women Are Angry', since 2021 women are reportedly 6 percent angrier than men. With this in mind, through my paintings I hope to normalise female expressions of discernment.
Considering the everyday emotions of women is important in relation to my source imagery. Most often I use stills taken from online video, choosing young women as they are more likely to suppress their anger due to social backlash. By pausing the video at unexpected moments I break the facade revealing what can be perceived as their suppressed emotions.
discernment noun
/dɪˈsɜːnmənt/
/dɪˈsɜːrnmənt/
[uncountable] (formal, approving)
the ability to show good judgement about the quality of somebody/something
Imbued with exasperation, irritation and rage, my figures place judgement on those viewing them. The reaction between audience and portrait is fundamental to the function of the works, enlivening the portraits and creating an exchange between the two.
Whether installed as stand alone pieces or together in series they aim to evoke a reaction from the viewer. The power dynamic over the audience causes the response, charged by the size of the faces, their expressions and their unavoidable gazes. My paintings hold the weight of amalgamated female experiences, placing part of their burden onto the viewer through their heavy, enigmatic gaze.