an abstracted feast scene at a wild summer nights party expand
Girls Gone Gluttonous, Oil on canvas, 203 x 254cm, 2025
A large painting consisting of two canvases reminiscent of an Italian renaissance religious painting but with large abstracted strokes expand
A Communion of Cravings, oil on canvas, 300 x 203cm
Big strokes of blue and abstract figures explode out the middle expand
Breakup Ice-cream Tub, oil on canvas, 260cm x 160cm, 2025
Graduate show install shot expand
My graduate show paintings installed in Edinburgh College of Art consisting of; Breakup Ice-cream Tub, oil on canvas, 260cm x 160cm, 2025, A Communion of Cravings, oil on canvas, 300
Full graduate show install view expand
Graduate show install shot
Graduate show install shot shoring two paintings expand
Graduate show install shot
Photo through a corridor into the room looking on the painting expand
Girls Gone Gluttonous far away
close up of blue and black clouds and abstract figures expand
Close up of Breakup Ice cream Tub
close up of abstract strokes in blue a girl eating expand
close up of Breakup IceCream Tub
Close up of the painting showing brushstrokes and figures expand
A Communion of Cravings close
Zoom in of white cloud and oranges expand
Girls Gone Gluttonous close up
Zoom in of strokes and glazes expand
Girls Gone Gluttonous close up
Close up of the painting showing texture expand
A Communion of Cravings texture close up
Abstracted brushstrokes close up expand
‘A Communion of Cravings’ close up
Close up, woman holds a champagne glass surrounded by flames expand
Girls Gone Gluttonous close up
Close up of the painting showing abstracted brushstrokes expand
‘A Communion of Cravings’ close up
Close up of the painting showing brushstrokes and a leg expand
‘A Communion of Cravings’ close up
A close up detail of the painting ‘A Communion of Cravings’ where abstract brushstrokes and forms grab at cake. expand
‘A Communion of Cravings’ close up
Artist Statment

Hattie Quigley is a visual artist whose practice consists of oil paintings and sculpture. Exploring the relationship between femininity, food and female desire, her work poses the question of what it means to be a hungry woman in contemporary society.
Revelling in the deliciousness of being ‘too much’, she explores gluttony, excess and indulgence. She immerses the viewer in the visceral pleasure of her painted world; one where women gorge and feast, lose inhibition, and reject the notion that physical attractiveness should be a baseline before you can start to live. The buttery, deliciousness of paint, flesh and food are bound together in emotional, pulsing marks that dance around the histories and language of painting. Drawing inspiration from anything between mythical feasts and the baroque period to pop culture and binge drinking; a hedonistic bacchanal takes place within the paint. Through a lens of overstimulation and excess, she explores women’s individual experience and the political and social meanings of body, of food, of thinness today. In the current climate of right-wing conservatism and weight loss jabs, it is even more political to talk about women who are unashamedly insatiable. The works celebrate bodies in all their forms while examining the tension between extravagance and restraint that we all adhere to be accepted by society. Not only does food speak of erotic desire, power, obsession, fear, it deals with capitalism and consumerism; the gluttony of the world, dancing around what painting is in it’s very essence.

Me sat in my studio full of images expand
Studio pic
Skills & Experience
  • Solo exhibition ‘Gorge!’ At Summerhall Arts InVitro Gallery, 5th March - 9th March 2025
  • Solo exhibition ‘Stuffed’ at August 21 Cafe, 15th February - 2nd March 2025
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Painting - BA (Hons)

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