Artists Statement

 

My practice is based in ceramics, sound, and site-specific materials to create installations that invite reflective engagement with the environment. Rooted in personal experience, I draw on past and present temporalities to navigate relationships between family, memory, place, and material. Engaging with ancestral methods of making and marking, I adopt ancient hand-building techniques and pulverise rocks to create mineral pigments for colouring ceramics. I draw historical reference from utilitarian forms of storage and transportation, specifically Amphorae jars (c. 7000), whilst disrupting and distorting their purpose by placing handles in unconventional positions, subverting the vessels into ambiguous objects that blur past and present. By animating objects and playfully reimagining ancient utilitarian forms, my work bridges historical and contemporary practices. I explore the anthropomorphic vessel to express personal narratives, shaped by change and separation. 

 

 

Alluminium casts of bladderwrack seaweed spread cross the chest and lay on the shoulders.
Eutierria, welded aluminum casts of bladder wrack seaweed, 27L x 28W x 5H cm, 2025. 
Five seaweed rings held up by steel stands.
Bladderwrack gesture, cast aluminium bladderwrack seaweed, 3-7cm, 2025.
Speherical ceramic pot embedded with crushed rocks from Gullane, blends into the background of the coast where the materials where taken from.
Sediment I, Earthenware clay with pulverised rocks and seashells, 17 x 15cm, documented at Gullane Bay, 2024.
Black ceramic pot blending into a coastal, rocky landscape.
Sediments II, Earthstone black grogged clay with crushed rocks, seashells and found glass, 10 x 12cm, documented at Gullane Bay, 2024.
Alluminium casts of bladderwrack seaweed spread cross the chest and lay on the shoulders.
Eutierria, welded aluminum casts of bladder wrack seaweed, 27L x 28W x 5H cm, 2025. 
Alluminium casts of bladderwrack seaweed on the end of fingers.
Bladderwrack gesture, 2025, cast aluminium bladderwrack seaweed, various dimensions from 3-7cm.
ceramic ball hanging from a long rope in a white gallery space. expand
When Will The Ball Drop, earthenware clay with pins, tacks, glass, and transparent glaze. Installed in Sculpture Court, 2025.
A split screen or Ireland and Scotland by the water with twins standing infront of the water.
A still of Tar Abhaile | Come Home, 3mins 44s, 2025.