Bio

In my mixed media practice, I create interactive installations and ephemeral activities that invite introspective engagement and imaginative reflection. Incorporating conceptual sculptures, moving images, tracing paper prints, water, and my own bodily presence, my works can be experienced either through active participation or interactive observation. 

Drawn from poetic and allegorical qualities of the sky and clouds; flowing continuity and non-locality, my practice is a digestive process of understanding and imagining the sense of being.

Slowly breathing in and out of water particles, immersing into the circulating flow; intangible resonance of warm connections within myself and between people are the core concepts I am exploring. 

 

In Graduate Show, I collaborated with a sculptor, Lucie Benninghaus (MAFA), to co-curate the exhibition space, surrounded by many windows and rectangular frames with a divided sink area. We chose the space together, aiming to make a playful, malleable, and welcoming space where interactions with the works and between visitors are encouraged. The atmosphere and form of the space were made to keep changing throughout the exhibition period, responding to the sunlight's movement, weather, my everyday action-based works and participatory work, visitors' movements, their engagement with Lucie's sculptures and my installations, and the cubic stalls that can be sat and moved around freely by anyone. 

The collaborative title, 'Sometimes Sunny, Sometimes Cloudy', not only reflects such evolving state of the space but also connotates a state of mind and inner feelings, resonating to both mine and Lucie's practices. 

 Entrance view of the space with the collaborative title, 'Sometimes Sunny, Sometimes Cloudy' expand
Exhibition space's front wall with the title and labels
A child playing with the movable stalls, hiding inside of the two stalls. expand
One (exciting) example of what was happening with the movable stalls during the exhibition period
Exhibition space, featuring Lucie's sculptures, my installation '... (dot dot dot)', and the movable stalls expand
Exhibition view; featuring Lucie's sculptures, my installation, and the movable stalls. Photo credit: Lucie Benninghaus

I'm just here to absooorb. 

Multisensory participatory work, which took place in the enclosed sink space everyday, with 1~4 people who signed up. Two sessions everyday at 11:30-12:10 and 15:30-16:10 during the exhibition period (May 30 - June 6, 2025), with an extra session at 18:00-18:40 on June 5. 

*More information available on my website; link available at the top.

The sink space in the exhibition area where the multisensory participatory work, 'I'm just here to absooorb.' took place. expand
Space where 'I'm just here to absooorb.' took place. Multisensory participatory work, 2025. 40 mins per session, twice a day May 30 - June 6 with an extra session on June 5.

No pressure 

Everyday action-based work. Around 2-3pm everyday during the exhibition period; May 30 - June 6, 2025. Body, heart, attention, glass bowl filled with water, towel, sponge, chalk, watch, sky and clouds. 

*More information available on my website; link available at the top.

Lisa, the artist, walking down the corridor of Edinburgh College of Art's main building with a large glass bowl completely filled with water. Lisa is dressed in white long-sleeved shirt, dark jeans, hiking boots, watch, with a blue towel hanging from her waist. There are paintings on the white wall in her background and a visitor walking behind her. expand
Captured moment from 'No pressure', 2025. Photo credit: Christina Benninghaus

... (dot dot dot)

Interactive installation, 2025. Tracing paper, windows, anyone who decides to climb up the steps, movable plywood steps, outside where people pass by and gather: footpath junction, table area, ECA courtyard gate. 

*More information available on my website; link available at the top.

Installation view of '... (dot dot dot)' expand
'... (dot dot dot)', 2025. Tracing paper, windows, body, movable plywood steps, outside where people walk through and gather: footpath junction, table area, ECA courtyard gate

Letting it sink in 

Installation, 2025. MDF, tracing paper, windows, sky, clouds, people behind, reflection.

*More information available on my website; link available at the top.

Installation view of 'Letting it sink in', 2025, captured with Lucie's works around in the space. expand
'Letting it sink in', 2025. Interactive installation. MDF, tracing paper, windows, sky, clouds, people behind, reflection. This installation view includes the works by Lucie.
Headshot of the audience in front of the installation, 'Letting it sink in', 2025. expand
Example view of the captured reflection in the installation, 'Letting it sink in', 2025. Photo credit: Muqiao Yue
A person sitting on the movable stall in front of the installation, 'Letting it sink in', 2025. expand
Installation view of 'Letting it sink in', 2025.