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Mosaic with handmade ceramic tesserae (157 × 88 × 32 cm), fused glass in metal frames (24 cm diameter each), plaster and pigment wall sculpture (80 × 20 cm), bronze syringe (17 × 1 cm), bronze hogweed sculpture (60 × 16 cm), solar data, TouchDesigner and Ableton.
If scientific knowledge is always mediated through graphs, grids, and models, what kinds of seeing do these interfaces produce, and what do they exclude? What kinds of realities emerge when vision is reconfigured through selection?
If representation precedes experience, where do intuition and ambiguity sit within systems that claim neutrality? Can scientific imagery be read not only as evidence, but as material for fiction, myth, and alternative ways of sensing and perception?
Sculptural elements extend these systems of representation into material form, where data becomes myth and body.
Credits: NASA’s Solar Dynamics Observatory (SDO) for open-source solar data and Anton Vasiliadis, antonvaudio.uk ,for creative technology.
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The analogue impre∿ssion of a duende.
Erleichda
Artemis-IV
My work moves through layered realities, shifting between physical and fictional worlds to question how science represents reality and how we inhabit it. I approach scientific knowledge as a cultural practice shaped by evidence and ideology. To measure the world is human; to believe that measurement exhausts it is a dangerous fiction.
Through sculptural installations and moving image, I attune to forces that structure life—gravity, planetary time, and ecological interdependence. Working with plaster, clay, metal, glass, and mosaics, I engage in slow, process-driven techniques.
Engaging diagrammatic and constellation-like visual languages, my work invites open-ended attention, reflecting on how dreams of leaving Earth may carry extractive logics with them.
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