I am interested in incorporating elements of frames and wall dressings as the focus of an artwork, raising their importance within the work, and building a space where the surroundings are as integral to the experience as what is displayed against them. I’m not simply trying to copy and paste a 19th century manor house salon into the Gallery space. Rather I am picking elements of frames, pattern and decoration, portraiture and methods of display and filtering them through more basic, modern, and crafty methods of making, resulting in a naïve pastiche of a traditional Salon Gallery space.

 

 

 

My tertiary goal with my work this year has been to be prolific and push myself to produce a myriad of elements and finished pieces. Recently, I have been exploring a Wunderkammer mindset, and allowing myself to follow my joy and interest when developing and exploring ideas rather than having to justify it as a worthy of pursuing. This combination of mindsets, making things for the sake of making them and making things because I like them, has resulted in a wide material practice and incorporation of elements of printing, patternmaking, painting, drawing, sewing, carpentry and sculpture.

 

19 hand painted frames of various sizes displaying purple wallpaper.
selection of frames from wall 1 of Pink Parlour installation 2024,
19 hand painted frames of various sizes displaying wallpaper.
selection of frames from wall 2 of Pink Parlour installation 2024,
19 hand painted frames of various sizes displaying purple wallpaper.
selection of frames from wall 3 of Pink Parlour installation 2024,
19 hand painted frames of various sizes displaying purple wallpaper.
selection of frames from wall 3 and 4 of Pink Parlour installation 2024,
blue, white and black lino printed rug on floor
Rug from Pink Parlour, 2024. lino printed rug on canvas.
hand painted wall clock with doors on the front and swinging pendulum, front view
wall clock from Pink Parlour installation, hand painted clock made from foamboard
wall sconce with green lampshade
wall sconce (1 of 3) from Pink Parlour installation, hand painted lamp base and lino printed lampshade.
hand painted wall clock with doors on the front, side view
Clock from Pink Parlour, 2024.
pink painted lightswitch with decorative yellow frame
lightswitch from Pink Parlour, 2024. hand painted light switch cover with foamboard frame
blue, white and black lino printed rug hanging on a wall
Rug from Pink Parlour, 2024. lino printed rug on canvas.
frame on pink wall with a shelf underneath
front wall/label for Pink Parlour installation (2024)

 

My practice explores what I consider to be the overlooked areas of presenting an artwork. While having its time and place, I find the White Cube presentation form to be overreaching and oppressive. There is often a lack of consideration for the finishing and presentation of an artwork beyond simply hanging it against a blank background. I am interested in having a cohesive, symbiotic relationship between a work, it’s framing, and the space in which the work is hung, and I think these peripheral elements like frames and wall coverings can be just as beautiful, considered and essential as the artwork it contains.

 

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Painting - BA (Hons)

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