“Blind eyes, Burn skin”/declared the giant halogen lamp/sitting in my grandmothers tub/I did not question why it was in the tub/I stepped outside/my eyes started to adjust/bright southern sun/my vision filled with white/like a blown out highlight in a dark room print/needing to be dodged/ outlines of daisies and a dead kitten/ appear in my vision/ developerwashingoverlighttouched emulsion/the all consuming white light/scares me/like im on stage/trying to see a face/past the spotlight/I need to use my imagination/to infer what is past this/bright light/with only pieces of a full story/i suddenlyeaseintothe\ unknown/feeling comfortable/in the white/nothing factual/no right or wrongs/only guesses/whatIwanttobepastthelight
"In the world of the Homeric epic, for example, being is stable and particularity is set fast in tradition. When Homer mentions blood, blood is black."- Anne Carson, Autobiography of Red
As Carson discusses, Homer was a champion of attributing a fixed visual descriptor to every substance in the world. I would like to try and do the same.
Women-always a bodily liquid
Blood-always unbearably warm
Skin-always folds
Fire-always trying
Hands-always intimate
Teeth-always ivory and black
Braids-always tangled
Fingers-always a portrait
Ribs-always appear fragile but actually are strong
Spine-always broken
Metal-always darkened
Siri Burt is a photographer and ceramicist based in NYC with her BFA in Photography and Video from the School of Visual Arts. She is currently studying at the University of Edinburgh for her MA in Contemporary Art Practice. Following completion of her program she is heading to Florence, Italy through the RSA John Kinross Scholarship. Siri's work questions the established meaning and stories behind visual symbolism, specifically relating to the body, and how she can transform them into her own mythology.