Reflection, repetition, iteration. These are the core tenets of my work that I strive to communicate across all facets of design and making. Using these values, I have aimed to both honour and disrupt classic Gothic architecture and stained glass windows, reflecting on the physicality of such iconic design, as well as ones wider place in spirituality. Specifically, I looked at casting and distorting shadows, looking at the interplay of light and shape.
I also explored distortion through reflection, using a bendy mirror to warp, capture, and create ephemeral shapes. I found these methods to be endlessly exploratory and a helpful metaphor to gain insight into my place in the creative and spiritual world. Being non-religious, but recognising my family’s connection to this church and its design, I aim to bring to life these enigmatic paper and shadow designs to create bold, statement pieces for the appreciator of the intersection between architecture and wearable art.
Born and raised in rural Sussex, Brighton adjacent, ecclesiastical and Gothic architecture is a staple in every skyline, tall and wonky spires punctuate every country walk. Contrasting the undulation of the South Downs with the shiny bright jewellery stores and modernist interruptions of the city meant my passion creatively has fallen somewhere between a desire for making and creating, and distorting and interrupting.
Being raised by a solicitor showed me the beauty in order amidst chaos, and the elegance of solutions found between the lines, whilst the interior architect-turned-police officer helped me reflect on my internal navigation in a world of contrast and find my voice both creatively and socially. My work is an homage to my parents, the reflection and distortion mirroring who I’ve become as a result of them, finding my own feet and taking what I can from their teachings in my own style.