Project description

The Ridge, Dunbar is a charitable organisation that provides training and support to the more vulnerable members of society, giving them opportunities to build a better life for themselves and their families. My project aims to provide the Ridge with a framework where they could consolidate what they have already built whilst also allowing them to expand and reach their full potential and ambitions. 

As part of the design project, our studio first of all studied timber as both a material and an industry, creating an awareness of the histories and impacts of the materials we use. Thus, beyond the realm of The Ridge and Dunbar as a whole, we were brought to reflect on the wider-reaching impacts that our design and practice can have.  

The given site in Dunbar has an existing urban fabric that is in poor condition in many parts, a state of ruin. My project is centred around maximising the reuse of this fabric. Indeed, most of my proposal consists of 'inserting' a new timber framed structure into the masonry remains, creating an interesting design but equally reducing the environmental impact of the proposal. 

Image of Tyninghame Sawmill.
Image of Tyninghame Sawmill.
Image of Tyninghame Sawmill.
Image of Tyninghame Sawmill.
Plan of Glenmore Forest showing tree distribution and forest management strategies.
Plan of Glenmore Forest showing tree distribution and forest management strategies.
Plan of Cardrona Forest showing tree distribution and forest management strategies.
Plan of Cardrona Forest showing tree distribution and forest management strategies.
Material Histories - Timber

Timber is a very common construction material, known to be one of the most environmentally-friendly materials that could be used in projects. However, through our studies of the timber industry, we realised that it is not as 'clean' of an industry as it may seem, highlighting our responsibility as designers and future architects to be aware of the consequences of our decisions. 

Forests are often erroneously perceived as wild, natural landscapes. However, the large majority of forests today are highly industrialised and are in their own way 'architecturally curated landscapes.' Once aware of the forest management and harvesting strategies used, the industrial and carefully-planned nature of forests becomes conspicuous. We showed this through a series of plans representing tree distribution across different forests in Scotland. In these plans, the planting grids (2x2m) that define industrial forests are clearly visible, as well as the different ways of felling. 

The visits to two sawmills, James Jones Lockerbie and Tyninghame Sawmill (small family-run sawmill), equally highlighted the huge constrast between industrialised timber processing and more traditional means of processing. 

Image of model - Allmannajuvet Zinc Mine Museum, Sauda, Norway - Peter Zumthor.
1:50 model - Allmannajuvet Zinc Mine Museum, Norway - Peter Zumthor
Image of model - Allmannajuvet Zinc Mine Museum, Sauda, Norway - Peter Zumthor.
1:50 model - Allmannajuvet Zinc Mine Museum, Norway - Peter Zumthor
Image of model - Allmannajuvet Zinc Mine Museum, Sauda, Norway - Peter Zumthor.
1:50 model - Allmannajuvet Zinc Mine Museum, Norway - Peter Zumthor

Hannah Maes

The Ridge, Dunbar: providing a framework for a stronger community and a circular economy.
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