My practice and research explores current rules and regulations of man-made constructs that condition our way of living, and systematically categorize and segregate. These are artificial divisions created to control and allocate value on our lives and exploit natural environments.
Through conceptually layered sculptural artworks my practice considers resistance, resilience, rebellion and self-determination informed by feminism, building hierarchies through the traditional values of sculpture. I enjoy and embrace experimenting with a variety of materials and processes both intrinsic to my practice. Embedded in the selection of materials are qualities that enable plays on balance, tension and inertia, frequently these materials allow humour to delvelop within my work.
In contrast to the use of varying materials, my methodology is consistent through reoccurring links to unfinished revolutions. I am particularly interested in the parallels seen by the subjugation and exploitation of both, females and our natural world. Through my sculptures I am echoing moments of history synthesized with progressive possibilities, and attempting to manifest the butterfly effect.
