La Villa Comunale di Napoli occupies reclaimed land between Riviera di Chiaia and the sea. This park, established by Ferdinand IV in 1778, was modelled on the Tuileries; a regulation from 1826 prohibited access "to those who dressed indecently, to servants in livery, to people dressed in tattered clothes." Following Unification, the park became a site for public monuments; it was extended in 1900 to form a new coastal road. Current projections suggest that within 100 years rising seas will flood the park. In Recollecting Villa Comunale, the memorial function of the park is re-imagined for this ever-changing coast. Fragments from the city, reconstructed from archives, tracings, and redrawings, are swept into the park. Memories captured in stories and photographs are preserved as new programmes. Peter Robb's Street Fight in Naples, published in 2010, acts as a guide. It invokes hillsides with lemon and mulberry trees now lost beneath the Quartieri Spagnoli, and streets full of the famous cloth which led Arabic traders to name Naples the 'City of Linen'. Building on Robb's recollections, the coastal edge at Chiaia is refigured and re-programmed. A performance venue provides a site for a revived song contest. Lemon and mulberry groves supply local producers and provide shade. A new harbour (re)collects workshops for fishing boats, spaces for mending nets, a canteen, and a market to support sustainable fishing. A once-beloved restaurant, Pasquales, provides a venue for families to meet returning fisherman. Together, these projects imagine a new form of coastal development for Naples, which accommodates fluctuations, loss, and recollection.