Project description

De-Paving The Way’ sets out to reimagine Aberdeen’s harbour post-Oil and Gas era by undertaking a methodical deconstruction of existing infrastructure, fostering the city's reconnection with its maritime heritage while nurturing ecological revitalisation. Through meticulous mapping of oil infrastructure gridlines and the identification of natural routes, the project meticulously crafts a 'masterplan of grounds,' utilising the concept of 'shared walls' to serve as both social and ecological catalysts. This approach aims to break down the homogeneity of the harbour area, breathing new life into its once oil-saturated landscape.

Divided into four distinct acts, the project unfolds a narrative of transformation over time. Beginning with community-driven interventions to puncture the private zoning of the harbour, it establishes a nucleus for development while restoring the link between the historic fishing village of Footdee and the harbour's edge. Over the following decades, the project envisions repurposing warehouses and industrial structures to create vibrant social spaces that reclaim areas previously dominated by oil infrastructure. As time progresses, the focus shifts to the establishment of wildlife observatories and the gradual reintegration of natural habitats into the urban fabric, culminating in the ambitious 'Torry Wetlands Project' by 2080. This long-term vision not only aims to restore ecological balance but also to shape a more sustainable and resilient future for Aberdeen's coastal region, serving as a model for urban regeneration in post-industrial contexts.

Collaborators
Act I - The Fittie Centre


Act One establishes the foundation for renaturing Aberdeen's harbour, focusing on reconnecting the historic fishing village of Footdee (Fittie) with the harbour. This act reclaims the harbour from private to public use, creating a forum for community discussion and design. Historically, Fittie was a close-knit community centered around the harbour industries, including shipbuilding and fishing, which relied heavily on human labour and knowledge passed down through generations. However, the scale and nature of the oil and gas industry led to the privatisation of the harbour and loss of this community connection. Act One seeks to break through these private barriers and reconnect the community with the water's edge through three key components: a new thoroughfare, a Community Design Hub, and a Material Repository and Artifact Archive. These elements aim to create physical and metaphorical connections to the harbour, fostering local involvement and preserving industrial knowledge for future generations.

Act I - The Draughtsperson's Desk
Act I - The Draughtsperson's Desk
Act II - Warehouse Retrofit

Act Two examines how the monotonous and systematized infrastructure of Aberdeen's harbour can be re-appropriated to foster socially catalytic and aesthetically engaging spaces. Historically developed for efficiency and security, the harbour's barren concrete landscape and repetitive industrial forms hinder its reintegration into the city once released from private ownership. This act proposes transforming this lifeless infrastructure into significant pieces of social furniture, thereby re-engaging the urban fabric.

Drawing inspiration from Teddy Cruz’s ‘Prouve in Tijuana’, which recontextualizes industrial Mecalux racks into urban furniture, this investigation reimagines the harbour's industrial components as a kit of parts for creative reuse. By recomposing these structural elements into installations, the project aims to elevate their aesthetic value, transforming them into objects of beauty.

The retro-fit proposal is not intended as uniform solution but as a provocation  to stimulate imaginative possibilities. By re-forming standardized parts, this act subverts the perceived value of industrial architecture, reinterpreting it as urban furniture that enhances the city's social and aesthetic landscape. This approach encourages a redefined relationship between the harbour and the community, fostering social interaction and urban revitalization.

Act II - Standing Within The Market
Act II - Standing Within The Market
Act II - Section Through The New Market
Act II - Section Through The New Market
Act III - A Birdlife Observatory on Broken Ground

Act Three, circa 2060, envisages an imaginative future for Aberdeen’s harbour. The 'Birdlife Observatory on Broken Ground' re-appropriates industrial typologies, notably oil silos, while aligning with the 'De-Paving The Way' masterplan by recomposing the ground. Developed over three decades, this act illustrates the gradual pace of the project and the environmental strategies employed.

Situated at a convergence of ground types, the architecture features 'peeled' silos providing sanctuary for harbour birdlife. Human observers navigate trenches in the de-paved ground to observe wildlife in its new habitat.

The significance of silos within Aberdeen's skyline underscores their integration with the city's identity. Their towering presence not only offers habitat opportunities but also symbolizes the intertwined relationship between the city and its oil industry. By retaining their silhouette, the architecture reflects this nuanced relationship.

Standing Within The Re-Appropriated Silos
Act II - Standing Within The Re-Appropriated Silos
Act IV - The Torry Wetlands Project
Act IV - A Vision of the Wetlands - Collage
Act IV - A Vision of the Wetlands - Collage
Student list
open list

Architecture - MArch

student list
close list